martes, 11 de marzo de 2014

D.O.R.T.H.E.

ORIGINAL: D.O.R.T.H.E.
from Lasse Munk


Meet D.O.R.T.H.E. She is currently 15”, pretty pale but an incredibly warm and caring max/msp patch, that creates music from your thoughts in the form of written words and sentences. She is amazingly well connected speaking several languages with which she controls a number of mechanical machines build almost entirely out of scrap electronics. She sometimes get surprised how much really well-functioning stuff gets thrown out every day, from several reasons - one being “the new model arrived”.

One visit to the junkyard provided her with roughly $300 worth of DC and stepper-engines, plus additional heaps of little useful things.

D.O.R.T.H.E. reuses words. She analyzes them, and use them for music creation because she believes that words, sentences and phonetics have many resemblances to music. Both one to one mappings like number of letters in a word translated to a pitch in music, but also emotional states like joy, distress, happiness, discomfort and fear.

D.O.R.T.H.E. is about re-cycling. Re-cycle words - turn them into music. Re-cycle electronics and turn them into instruments.

by lasse munk and søren andreasen

miércoles, 5 de marzo de 2014

Reflections on Chinese Contemporary Art: Ai Weiwei, Cao Fei, and Cai Guo-Qiang

ORIGINAL: Art21
by Jonathan Munar
Mar 5, 2014


From left: Artists Ai Weiwei, Cao Fei, and Cai Guo-Qiang.

For the occasion of Armory Focus: China at The Armory Show 2014 in New York City, Art21 produced four original films featuring Philip Tinari, director of The Ullens Center for Contemporary Art in Beijing and curator of Armory Focus: China. In the films, Tinari reflects upon the current state of contemporary art in China, as highlighted through the work of four Chinese artists: Ai Weiwei, Cao Fei, Cai Guo-Qiang, and Xu Zhen, the commissioned artist for The Armory Show 2014. All four films will be screened to both fair-going and online audiences. Featured here are the first three films from the series.

When discussing each of the three artists previously featured by Art21—Ai Weiwei, Cao Fei, and Cai Guo-QiangTinari identifies a common interest in the cultural identity of China and the Chinese population, along with its relationships both locally and globally.

In Ai, Tinari notes a fascination with the effect of China’s productivity upon the lives of individuals, as demonstrated through the artist’s frequent employment of local artisans for the creation of his works. Tinari also identifies Western artists Marcel Duchamp and Andy Warhol as key influences for Ai’s work as an artist.

Watch additional Art21 videos featuring Ai Weiwei

In Cao, Tinari sees “an example of how one can be a Chinese artist working in a global context.Tinari cities the lengths of time that Cao spent with local factory workers—from factories that produce goods for global consumption—as a representation of the artist’s interest of “engaging with the wider world on her terms.”

Watch additional Art21 videos featuring Cao Fei

Of Cai, Tinari mentions the artist’s signature work with gunpowder, describing the material as something that “speaks to the ingenuity of the Chinese people.” Tinari explores the on-going influence of the artist’s travels to—and current residence in—the West, and its relationship to his own Chinese identity.

Watch additional Art21 videos featuring Cai Guo-Qiang

The above videos are meant to serve as companion pieces to each artist’s original appearance in Art21’s Art in the Twenty-First Century series. These videos, in addition to additional videos from Art21’s Exclusive and Artist to Artist series, can be viewed from the artists’ sections on Art21.org.

Philip Tinari first partnered with Art21 in 2009, interviewing Cao Fei in Beijing for Season 5 (2009) of the Art in the Twenty-First Century series. Tinari would again partner with Art21 to interview artist Ai Weiwei in Beijing for Season 6 (2012).

Armory Focus is a specially curated section of The Armory Show that highlights the artistic landscape of a chosen geographic region. For The Armory Show 2014, Tinari curated Armory Focus: China, shining new light on the country’s contemporary cultural practice. Armory Focus: China is on view at The Armory Show in New York from March 6–9, 2014.

VIDEO CREDITS | Producer: Eve Moros Ortega. Interview: Eve Moros Ortega. Camera: Rafael Salazar. Sound: Ava Wiland. Editor: Morgan Riles. Artwork Courtesy: Ai Weiwei, Cao Fei, and Cai Guo-Qiang. Archival Images Courtesy: Ai Weiwei and AW Asia. Thanks: Philip Tinari, The Armory Show, Christopher Mao, John Tancock, Chambers Fine Art, Taliesin Thomas, Larry Warsh, and Lombard Freid Gallery. Theme Music: Peter Foley. © Art21, Inc. 2014. All rights reserved.

Jonathan Munar
Contributor
Go to articles Jonathan Munar is the Director of Digital Media and Strategy at Art21, overseeing the organization's overall digital, Web, and social media presences. He edits and contributes to Art21's "Art 2.1" column.

martes, 11 de febrero de 2014

Blooming marvellous! Pretty flowers that open up before your eyes are the world's first ever INFLATABLE 3D printed objects

Richard Clarkson created the design as part of his seamless blossom project
Flowers open as air is pumped into chambers, revealing a colourful core

They were produced using Objet’s 3D printer which is able to simultaneously print a mix of both a flexible and rigid material

As remarkable as 3D printing is, most objects created using the technique have, up until now, been limited to rigid structures.

But this could be about to change with a new generation of materials that are allowing designers to create morphing 3D designs.

Richard Clarkson from Victoria University of Wellington has become one of the first to make use of multi-material 3D printing by creating inflatable rubber-like flowers.

Scroll down for video...

MULTI-MATERIAL 3D PRINTING

As well as creating beautiful art installations, multi-material 3D printing aims reduce the number of manufacturing steps for one object.

it allows, for instance a working product to be created with different properties without the need to bring together separate components.

Experts claim it increases speed to market by allowing organisations to prototype increasingly complex parts. It also reduces waste products by using exactly the right amount of material required.

The flowers, created as part of the ‘seamless blossom project’, open up as air is pumped into inner chambers, revealing a colourful inner core.
Mr Clarkson claims they are the first ever inflatable objects to be created with 3D printing.


Basically, it’s a curved hollow chamber with flexible rubber. As you inflate it, it creates a gap of air that pushes against the inner layer, forcing the outer layers open. It almost blooms, like a flower,’ he said.


Recent advances in 3D printing now allow the simultaneous layering of different build materials in a single print



Incredible inflatable 3D printing technology shows flowers...

Seamless Blossom - Richard Clarkson (video)
A screenshot from the computer aided design (CAD) programme Richard Clarkson used to create the flowers


The flowers were created using Objet’s multi-material printer which is able to simultaneously print a mix of both a flexible and rigid material at point of print.


Mr Clarkson has designed his project as an interactive installation without any electronics, sensors or computer control, working only on air pressure.


It is the first in what experts are predicting could be a wave of 3D printed objects that use different materials to morph shape.


Last year, for instance, U.S. architect Skylar Tibbits announced a project to develop morphing materials in collaboration with Minneapolis-based group Stratasys

Mr Clarkson has designed his project as an interactive installation without any electronics, sensors or computer control, working only on air pressure


The flowers, created as part of the 'seamless blossom project' open up as air is pumped into inner chambers, revealing a colourful inner core


Mr Tibbits has now set up a radical lab at the Massachusetts Institute of Technology (MIT) to create materials that self-assemble.


Like Mr Clarkson, the MIT lab plans to use of multi-material 3D printing to programme different properties into various parts of a product’s geometry.


The idea is that these parts will have varying water-absorbing characteristics that activate a change in shape when they come into contact with moisture.

Te technique could lead to structures such as self-assembling furniture, or water pipes that know when to expand and contract.

Mr Clarkson claims these flowers are the first ever inflatable objects to be created using 3D printing

The technique could lead to structures such as self-assembling furniture, or water pipes that know when to expand and contract

ORIGINAL: Daily Mail
By Ellie Zolfagharifard
24 January 2014

miércoles, 29 de enero de 2014

These 21 Pictures Are Not What You Think. They Will Blow Your Mind.

ORIGINAL: Viralnova
January 28, 2014

Some paintings seem SO real, you can’t believe someone was talented enough to create them. Then, some paintings seem SO real you can’t even tell they are paintings. Below are 21 of the most amazing works of art you won’t be able to tell are 100% handmade and NOT photographs. These artists are so talented, they’ll leave your jaw on the floor.

1. Omar Ortiz – using oil on linen
Omar Ortiz


Omar Ortiz


2. Paul Cadden – pencil and paper
Paul Cadden

Paul Cadden

3. Kamalky Laureano – acrylic paint on canvas
Kamalky Laureano


Kamalky Laureano


4. Gregory Thielker – oil on canvas
Gregory Thielker


5. Lee Price – oil on linen
Lee Price


Lee Price


6. Ben Weiner – paintings of paint
Ben Weiner


Ben Weiner


7. Ron Mueck – hyper realistic human sculptures
Ron Mueck


8. Kim Ji-hoon – pencil
Kim Ji-Hoon


9. Ray Hare – acrylic paint on canvas
Ray Hare


10. Pedro Campos – oil on canvas
Pedro Campos


11. Dirk Dzimirsky – pencil on paper
Dirk Dzirmirsky


12. Thomas Arvid – Giclée on canvas
Thomas Arvid


13. Samuel Silva – ballpoint pen
Samuel Silva


14. Gottfried Helnwein – oil and acrylic on canvas
Gottfried Heinwein


15. Mike Bayne – oil on wood panel
Mike Bayne


16. Robert Longo – charcoal on mounted paper
Robert Longo


17. Diego Fazio – charcoal pencil
Diego Fazio


18. Bryan Drury – oil on wood
Bryan Drury


19. Rafal Bujnowski – black and white photo-realistic portrait (so realistic that a picture of it was accepted for his passport)
Rafal Bujnowski

20. Robin Eley – oil on Belgian linen

Robin Eley

21. Kevin Okafor – graphite pencils on paper
Kevin Okafor

lunes, 20 de enero de 2014

Emptied Gestures: Physical Movement Translated into Symmetrical Charcoal Drawings

ORIGINAL: This is Colossal
by Heather Hansen
January 20, 2014

Photo by Bryan Tarnowski

Photo by Bryan Tarnowski

Photo by Bryan Tarnowski

Photo by Bryan Tarnowski

Photo by Bryan Tarnowski

Photo by Bryan Tarnowski

Photo by Bryan Tarnowski

Photo by Bryan Tarnowski

Photo by Spencer Hansen at Ochi Gallery

Photo by Spencer Hansen at Ochi Gallery

Photo by Spencer Hansen at Ochi Gallery

Photo by Spencer Hansen at Ochi Gallery


Splayed across a giant paper canvas with pieces of charcoal firmly grasped in each hand, Heather Hansen begins a grueling physical routine atop a sizeable paper canvas. Her body contorts into carefully choreographed gestures as her writing implements grate across the floor, the long trails resulting in a permanent recording of her physical movements. Part dance and part performance art, the kinetic drawings are a way for Hansen to merge her love for visual art and dance into a unified artform. The final symmetrical patterns that emerge in each pieces are reminiscent of a Rorschach test, or perhaps cycles found in nature.

Hansen most recently had a group exhibition, The Value of a Line, at Ochi Gallery in Ketchum, Idaho which runs through March 31, 2014. All photography above courtesy the artist by Spencer Hansen and Bryan Tarnowski. If you liked this also check out the work of Tony Orrico. (via iGNANT, My Modern Met)

sábado, 18 de enero de 2014

It May Look Like a Normal Stack of Wood, But When You Get Closer…WOW!

ORIGINAL: Real Farmacy
Jan 14, 2014

From a distance, it appears to be an ordinary stack of firewood, but as you get closer, you begin to realize that this is way cooler than a stack of logs.

Upon further inspection you notice that the black lines are actually seams.

And they open! What is this thing?

Holy smokes! They’re the windows of a perfectly camouflaged cabin!

What an amazing creative way to hide out in luxury, surrounded by nature!

The man below is Hans Liberg, a Dutch performer.

He’s able to blend in with the scenery when he’s deep in a composition.

This fantastic creation was built on a trailer by Piet Hein Eek who was even more excited than Hans.

The outside is indeed real wood.

The one-of-a-kind window designs are made of steel and plastic.

The interior is quite roomy despite being contained in a stack of wood.

Windows on all four sides flood the quarters with natural light.

It’s perfect to rock out in.

What more does a musician need than a remote cabin and a guitar?

The illuminated wood stack at dusk makes for a fantastic photograph, to say the least.



Hans is as happy as can be. Wouldn’t you be too?